Saree is archconservative as well as traditional attire of females with different styles of draping, varying from five to nine yards in length. There are an additional 80 ways to wear a saree, among them Nivi style is the most popular.
As distant additional 35 types of sarees are available in India they are Banarasi Silk Sarees, Khun Sarees, Kasheeda Saree, Chanderi Sarees, Kasut Sarees, Kanjeevaram Sarees, Assam Sarees, Batik Print Sarees, Tant Saree, Tussar Silk Sarees, Assam Muga Silk Sarees, Dhakai Jamdani Saree, Pochampally Sarees, Cotton Sarees, Mysore Silk Sarees, Bhagalpuri Silk Sarees, Mundum Neriyathum, Maheshwari Sarees, and Pattu sarees.
Types of Traditional wedding Sarees for Indian Women include Kanjeevaram wedding saree, Banarasi wedding saree, Sambalpuri wedding saree, Assam Silk Goat saree, Resham saree, Zardosi saree, Paithani sarees, Bomkai saree, Bandhani saree, and Neriyathum saree.
Some sarees are explained briefly, they are as follows:-
1. Banarasi Saree
The most popular Banarasi Saree originated in Varanasi is known for its gold and silver zari work. These sarees are made of sensitively woven silk and are among the finest sarees in India during many wedding ceremonies.
2. Tant Saree
The traditional Bengali Saree is the Tant Saree which is made by the weavers and Bengali used in their daily use. Tant saree is the most comfortable saree in the sweaty Indian summer weather.
3. Chanderi Sarees
Chanderi Sarees made in Chanderi Town of Madhya Pradesh are produced from pure silk. Chanderi saree is also known for its gold and silver pattern of brocade.
4. Sambalpuri Saree
Sambalpuri Saree is an old-school Handloom Saree, produced in Odisha in a small place named Sambalpur. The Sambalpuri saree implies an authentic technique of artwork that is formulated on a handloom from fabric woven.
5. Kasta Saree
Kaste Saree is pertained to as Nauvari which is the formal Marathi style of saree, a single nine-yard saree which is scraped very identically to the dhoti of Maharashtra.
6. Chiffon Saree
Chiffon Saree is handy fabric sarees formulated entirely from silk. These kinds of sarees are one of the most alluring apparels for the women of India.
7. Georgette Saree
Another weightless made from silk is Georgette Saree with highly crooked yarns. These sarees are prepared in solid hues and patterns.
8. Kosa Saree
Kosa sarees are one of the greatly popular sarees in India. Functional in different pigments, structures, and layouts, Kosa silk is elicited from larvae of numerous species of silkworms in Chhattisgarh.
9. Net Saree
Net Saree is prepared with a material that has openings and appears in several categories. Several weaving structures are used for different kinds of the net.
10. Bandhani Saree
Bandhani is a tie-dye textile process and the technique, variety, and color used in Bandhana are being sold all over India, especially during the festival and wedding seasons.
11. Kasavu Saree
Kasavu Saree is famous in Kerala are the ancestral apparel of women, particularly during the festivity and nuptials seasons. These Sarees exist traditionally in white or cream color and comprise two portions of the fabric.
12. Patola Saree
Patola Saree is a double ikat sari made from silk in Patan in Gujarat. These sarees are most prominent and precious, formerly worn only by imperial and aristocratic lineage.
13. Kanjeevaram Saree
Kanjeevaram Saree is woven from pure mulberry silk thread, made by the weavers of Kancheepuram. Kanjeevaram Sarees have been identified as a shred of Geographical evidence by the Government of India.
14. Kalamkari Saree
Stimulated in many various areas of South India, Kalamkari Saree is two distinct techniques of Kalamkari Art in India – the Srikalahasti technique and the Machilipatnam technique.
15. Paithani Saree
Paithani Saree is made from very neat Silk, generated in Paithan city in Aurangabad. It’s evaluated as one of the prosperous sarees in India.
16. Muga Saree
Muga Sarees which are elicited in Assam from wild Muga silks, Pat, and warm Eri silk was recognized as a shred of secure geographical evidence and are used in outputs like sarees, chadors, and mekhalas.
17. Puttapaka Saree
Prepared in Puttapaka village of Nalgonda, a district in Telangana, Puttapaka Sarees are realized for their extraordinary Puttapaka tie and dye method which nearly corresponds to Sambalpuri saree.
18. Pochampally Saree
Pochampally Saree gave rise to one of the historical Ikat weaving with formal geometric patterns. The cabin crew of Air India wears specially formulated Pochampally silk sarees.
19. Gadwal Saree
Gadwal Sarees are enrolled as one of the geographical inklings from Telangana. The most significant for the decent zari on the sarees.
20. Konrad Saree
Konrad Sarees which are also known as “Temple Sarees” is well-recognized in India, which is established in Tamil Nadu. Initially woven for temple goddesses and are one of the extensively expensive Sarees in India.
21. IIkal Saree
IIkal Sarees are manufactured in the city of Ilkal in the Bagalkot region. Formed from needlework called Kasuti, which is is a traditional form of culture embroidery from Karnataka. The needlework comprised in Ilkal Sarees is gopura, palanquins, chariot, and elephants.
22. Kantha Saree
Kantha type of needlework and sarees are manufactured in the state of West Bengal and Odisha. The Needling of Kantha is commonly recognized as Nakshi Kantha. Traditionally worn by the women of Bengal.
23. Kerala Saree
Kerala Sarees are very nearly associated with Mundum Neriyathum. But it consists of a sole piece of fabric. Traditional and modern styles of Kerala Sarees are considered as the cultural apparel of women.
24. Phulkari Saree
Phulkari is an embroidery method that originated from Punjab. Mostly utilized during weddings and other festivals. Phulkari embroidery is the most favored color in red shades.
25. Chikankari Saree
Chikan embroidery is an ancestral embroidery style from Lucknow. It is one of the favorable textile adornment techniques.
26. Kota Doria Saree
Kota Doria Sarees are made at Kota, Mau, and its close region. Implied for a little needlework and border patches. Popularly known as Masuria in the province.
27. Baluchari Saree
Baluchari Sarees are worn by women across India, primarily in Bishnupur and its encircling areas of West Bengal. The Baluchari sarees give birth to the significance of Geographical evidence in India.
28. Mangalagiri Saree
Mangalagiri Sarees and Fabrics are generated in the Mangalagiri town of Guntur. Enrolled as one of the best handicrafts from Andhra Pradesh. Mangalagiri sarees are very different in variation with various distinct features.
29. Bomkai Saree
Bomkai Saree is created by the Bhulia society in Odisha. Because of the Bomkai sarees, this area is specified as Geographical Evidence of India.
30. Gota Saree
Gota Patti Sarees which are of origin listed in Rajasthan is a type of Indian embroidery which is used considerably in marriage and traditional clothes. The metal embroidery is known as Gota work.
Mysore Silk Saree, Bhagalpuri Saree, Bengali Saree, Gujarat Stitch saree, Maheshwari Saree are furthermore a costume for Indian women.
Dolls have been a wellspring of solace and happiness for children since forever. There will not be a single child who has not touched a doll or played with one in their lifetime. Young girls have always had adored and played with dolls. But do you know able the making of dolls?
The maker can mould itself into whatever they imagine and want. There exists a town in Madhya Pradesh named Jhabua which is famous for its talented craftsmen and great artworks. Its native tribe is the Bhils. One of their most appreciated artworks incorporates excellent dolls made of cloth which are most liked and adored by lovely little girls out there. Not only that, but dolls have served a great part of their culture. For example, in Jhabua, bride holds a doll in her hand, gifted to her, while leaving to her husband’s place. Since the 60s, Jhabua had been devoted towards manufacturing dolls. Also, these dolls are gifted to a new born as blessings right after birth.
What is so unique about the Dolls of Jhabua? The customary attire that they wear seems to describe it all seem to be an exemplification of an individual belonging to the Bhil clan. Adivasi Gudiya Hastshilp is what the locals named this kind of Doll manufacture. The outfits created, address the ethnicity and life of the Bhil and Bhilala clans.
The local women of Jhabua are the ones with this extreme talent of moulding clothes into anything and everything they want and creating masterpieces in the form of Dolls. A main component in the process of doll making involves choosing attractively coloured fabrics which they acquire from their households itself. That mean these clothes are already used ones and this makes these dolls more valuable to others. Not only that, these fabrics are further dyed or undergone with different colouring techniques to add more value to the dolls.
To make the body of the dolls different pieces of clothes are fused together and every part is sewed creating a shape of a doll leaving the bottom of the feet open so as to be able to load the dolls with cotton inside of it to give them life. The strategy utilized for sewing is known as ‘Pakkatanka’.
Coming to the face of the doll, they are shaped with dung and are cut out with perfection. The mud gets firm after they are set to fire and are then covered with cloth material. Then the faces are painted giving them the looks on their faces that the makers desire. It is done with great caution and by extraordinarily skill makers.
The female dolls are enhanced with “Ghagra and Choli” which is a native Bhagorian bride’s dress together with accessories like “malas” and “kadas” (bangles) or neckbands made of silver called “chandi ki haansli”. . Family things like bamboo crates and ceramic are given as embellishments. The male dolls are made to wear “Dhoti and Kurta” together with accessories like “teer kamthi” (bow and bolts).
The dolls, at last, are fixed onto the wood base consisting of metal wires embedded in the legs of the dolls. These wires are pounded gently from the posterior of the wooden base making them extremely ready to be sold.
Numerous individuals are procuring vocations in this and earning a living. Thus, hoping this craft work flourish for ages.
India is an incredible place with every state having their own, beautiful handmade crafts and artisans with impressive dexterity. In the event that you travel through Kutch, an antiquated piece of Gujarat, you will most unquestionably be enticed to see their Lipan Kaam (walls of the houses made of mud (bhunga) flawlessly decorated with mirror works). It’s anything but a conventional wall painting art of Kutch.
Chittar Kaam is another name for the same. Talking about the roots of this beautiful work, it still remains quite obscure. In the Gujarati language, Lipan means mud-washing and Kaam means work, thus the name.
About the “Kaam”
Bhungas are made of clay or bamboo chips generally. Lipan Kaam is done above it, a combination of dung and mud. The dung utilized, being rich in fibres, performs as a binding source. The dung is usually from Camel or Wild Ass. Dung and mud are blended keeping in check the proportions, and manipulated to frame the batter utilized for lipan kaam.
Some have referenced the utilization of husk of Bajri for example millet as an option in contrast to the dung since the husk doesn’t draw termites.
Little bits of the mixture are taken and then glued on to the clammy surface for example a wooden board on which the fine art is to be finished.
First there is defining of the outlines with the mixture and eventually creation of the motifs enlivened from the rich and renowned embroidery designs. With mirrors (called aabhla) inserted in the mud work, you will see some shockingly enchanting artwork. Afterwards, a layer of white mud is made to cover up the work of art. Despite the fact that the credibility of Lipan Kaam lies in a finished piece that is all white or in shades of neutrals sometimes splendid tones are painted. The rooftops are wood- based. Bhungas are the habitats of a large population of Kutch. However, keeping in mind Kutch’s climatic conditions, a lot of modifications have been made eventually.
Beyond its beauty
Furthermore, Lipan kaam on the external surface of the homes aides keep the inside of the home cool. The magnificence of the workmanship is upgraded by its utility much more. Inside the home, the inside is enriched with mud-reflect work.
A solitary light demonstrates enough to illuminate an impressive area of the house because of the light reflected from the sparkling mirror-work.
Lipan Kaam is generally found in various embraceable types. To be specific, temples, peacocks, camels, elephants, women, trees, and different instances of life in the Kutch.
The lipan on the entryways, and the floors of the bhunga sport elaborate bas alleviation embellishments that comprise of okli-surfaces made by the impressions of fingers and palms-and etched structures that are trimmed with mirrors. Naturally, the Muslim groups stuck to enchanting and capturing examples of geometric lipan kaam as it was considered un-Islamic to portray human or animal arts.
The skilled workers are presently instructing understudies to shift to using compressed wood as an alternative to conventional processes because of the sharp, pervasive smell coming from using the traditional mixture. And this very alternative is being used extensively all across.
Basically Lipan Kaam is anything but a vital thing for the existences of the people of Kutch.